{"product_id":"maurice-ravel-jeremy-siepmann-an-introduction-to-ravels","title":"Maurice Ravel, Jeremy Siepmann - An Introduction To...Ravel's","description":"\u003cp class=\"product-description-meta\"\u003eArtist \/ Band: Maurice Ravel, Jeremy Siepmann\u003cbr\u003eTitle \/ Titel: An Introduction To...Ravel's\u003cbr\u003eLabel: Naxos 2001\u003cbr\u003eFormat: 2CD\u003cbr\u003eZustand: NEU OVP \/ sealed Boxset (slipcase)\u003c\/p\u003e\u003cp class=\"product-description-text\"\u003e1.\tBoléro\u003cbr\u003e1\tIntroduction; Cue To Unadorned Bolero Rhythm, Part 1\t2:29\u003cbr\u003e2\tBolero Rhythm, Part 2: An Extended Variation Of Part 1\t0:07\u003cbr\u003e3\tMotto Rhythm Complete\t0:21\u003cbr\u003e4\tBut Here We Have Snare Drums And Plucked Violas And Cellos\t0:22\u003cbr\u003e5\tSection 1: Introduction Of 'The Theme'\t0:37\u003cbr\u003e6\tFlute Continues With Part 2 Of Theme\t0:48\u003cbr\u003e7\tSection 2: Complete Statement Of Theme By Clarinet As Flute Joins 'Motto' Group\t1:30\u003cbr\u003e8\tIntroduction Of 'discordant' Harp Into The Unfolding Picture\t0:18\u003cbr\u003e9\tSection 3: Bassoon Introduces Closely Related Variant Of Theme\t0:34\u003cbr\u003e10\t...But Then Veers Upwards, Slowing Rhythm And Introducing New Syncopation\t0:59\u003cbr\u003e11\tSection 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants\t1:21\u003cbr\u003e12\tSection 5: Oboe D'amore Takes Over Theme But Returns To Its Original Form\t1:34\u003cbr\u003e13\tSection 6: Theme Now Shared By Two Instruments: Muted Trumpet And Flute\t1:16\u003cbr\u003e14\tSection 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn In 'Motto'\t1:39\u003cbr\u003e15\tSection 8: Theme Taken By Soprano Saxophone 'Espressivo'\t1:09\u003cbr\u003e16\tSection 9: Theme: Celeste, Piccolos And Horn\t1:24\u003cbr\u003e17\tSection 10: Theme: Oboes, Horns, Clarinets\t2:06\u003cbr\u003e18\tSection 11: Theme Taken By First Trombone, Complete With Jazzy Slides\t1:40\u003cbr\u003e19\tSection 12: Theme: Flutes, Oboes, Clarinets, Sax\t1:13\u003cbr\u003e20\tSection 13: Violins At Last Take The Main Tune, Joining Massed Winds\t1:14\u003cbr\u003e21\tSection 14: Violins Divide Into Four Groups, Each 'Double-Stopping'\t1:04\u003cbr\u003e22\tSection 15: Trumpet, Trombone 2 And Tuba Join The Foreground\t1:18\u003cbr\u003e23\tSection 16: First Trombone And Soprano Saxophone 'Rejoin' Theme\t0:56\u003cbr\u003e24\tSection 17: Fortissimo\t1:26\u003cbr\u003e25\tSection 18: Entire Orchestra Now Employed, 'As Loudly As Possible'\t1:18\u003cbr\u003e26\tSection 19: Sudden, Amazing Change Of Key, Lurching From C To E Major\t1:20\u003cbr\u003e27\tSection 20: Key Now Lurches Back To C, As Jazzy Trombones Whiningly Protest\t0:36\u003cbr\u003e28\tCue To Complete Performance\t0:20\u003cbr\u003e29\tBoléro [Complete]\t16:16\u003cbr\u003e31.\tMa Mère L'oye\u003cbr\u003e32.\tPavane de la Belle Au Bois Dormant\u003cbr\u003e2-1\tOpening Figure On Flute, Rising, Falling, And Then Repeated\t1:04\u003cbr\u003e2-2\tSame Again, With Emphasis On Delicacy Of Scoring\t0:30\u003cbr\u003e2-3\tAnswering Variant, Accompanied By Plucked Double Basses\t0:19\u003cbr\u003e2-4\tReminder Of Opening Figure\t0:18\u003cbr\u003e2-5\t...And Now Its Rythmical Mirror Image, Or Almost...\t0:12\u003cbr\u003e2-6\tAnswering Phrase 2: A Near Inversion, Over 'James Bond' Accompaniment\t0:41\u003cbr\u003e2-7\tPivitol Phrase 3, Reversing Direction But Keeping Rhythm Of Phrase 2\t0:46\u003cbr\u003e2-8\tReprise Of Phrases 1 And 2, But With New Accompaniment\t0:39\u003cbr\u003e2-9\tFurther Reprise Of Phrase 2, Now On Violin, Accompanied By Harp\t0:40\u003cbr\u003e2-10\tPavane [complete]\t1:41\u003cbr\u003e43.\tPetit Poucet (Tom Thumb)\u003cbr\u003e2-11\tIntroduction; Opening, With Multi-metre Rising Scales From Muted Violins\t0:49\u003cbr\u003e2-12\tChanges Of Metre Continue As Solo Oboe Introduces Theme One\t0:24\u003cbr\u003e2-13\tOboe Yields To Cor Anglais For Theme Two, Against Lower (Still Muted) Strings\t0:44\u003cbr\u003e2-14\tTheme One Returns, Shared By Clarinet And Flute, Muted Horn Added To Acccompaniment\t0:25\u003cbr\u003e2-15\t'Motto' Rhythm Dominates As Intensity Increases From Lower Strings To Full Orchestra\t0:46\u003cbr\u003e2-16\tFear Subsides As Theme Two Returns, Again In Cor Anglais But Now In A Different Key\t0:32\u003cbr\u003e2-17\tSensational Sound Effects Evoke A Wood At Night, With Screechs, Cuckooing Etc.\t0:44\u003cbr\u003e2-18\tTexture Thins; Theme One Returns, Delicately Scored For Strings And Piccolo\t0:19\u003cbr\u003e2-19\tThe Main Part Of Movement Ends, With Waltz-Like March (!), Featuring Flute\t0:28\u003cbr\u003e2-20\tPetit Poucet [Complete]\t3:28\u003cbr\u003e54.\tLaideronnette, Impératrice des Pagodes\u003cbr\u003e2-21\tIntroduction; Opening (Introductory) Bars, Followed By Theme One\t2:00\u003cbr\u003e2-22\tOriental-Orchestral Equivalent Of An Imperial Telephone Bill\t0:15\u003cbr\u003e2-23\t...Oboe 'Answers' With A Slightly Varied Version Of Theme One\t0:15\u003cbr\u003e2-24\tExpanded Derivative Of The 'Telephone Bill' Interupts The Theme Again\t1:00\u003cbr\u003e2-25\tFragments Of Themes In Flutes And Cor Anglais, With 'James Bond' Tag In Violins\t0:24\u003cbr\u003e2-26\t'Gamelan' Music From Flute And Piccolo, Accompanied By Harp,Xylophone And Strings\t0:32\u003cbr\u003e2-27\tArrival Of Empress; Upper Strings Yield To Winds, Celeste, Harp And (Very Discreet) Gong\t0:47\u003cbr\u003e2-28\tLaideronnette, Impératrice des Pagodes [Complete]\t3:57\u003cbr\u003e63.\t Les Entretiens de la Belle Et de la Bête\u003cbr\u003e2-29\tOpening Waltz Theme From Clarinet, With Important Downward Scale Figure In Strings\t0:51\u003cbr\u003e2-30\tCharacteristic Pattern Of Two Short Phrases Answered By A Long One\t0:36\u003cbr\u003e2-31\tClarinets, Flutes And Violas, With 'Sighing' Figure Derived From Downward String Mofif\t0:21\u003cbr\u003e2-32\tVaried Reprise Of Opening, Entry Of The 'Beast' (Contra-Bassoon); 'Watch It! Watch It!'\t0:32\u003cbr\u003e2-33\tAgain The 'Beast' Growls, Again The Cautious Warning 'Watch It!' From The Winds\t0:40\u003cbr\u003e2-34\tDerivative Of Beauty's Theme From Flute, Combined With 'Caution Motif' In Strings\t0:38\u003cbr\u003e2-35\t'Beast's Theme' Rises In Pitch With Each Successive 'Growl' (Representing Hope?)\t0:52\u003cbr\u003e2-36\t'Beauty' 'Beast' And 'Caution' All Combine Simultaneously\t1:12\u003cbr\u003e2-37\t'Beast' (Contra-Bassoon) Climbs Ever Higher, Handing Over To Bassoon Proper.\t0:49\u003cbr\u003e2-38\tHarp's Upward Glide Heralds The Moment Of Transformation; Love Song, Fear, Release\t2:09\u003cbr\u003e2-39\tLes Entretiens de la Belle Et de la Bête [Complete]\t4:14\u003cbr\u003e75.\tLe Jardin Féerique\u003cbr\u003e2-40\tIntroduction; Opening Bars Are Unfurled By The Strings Alone\t0:40\u003cbr\u003e2-41\tThe Rhythmic Basis And Its Guises. First, A Question: 'Where Went My Childhood?''\t1:23\u003cbr\u003e2-42\tThe Question Intensified: 'Oh, Where Went My...Childhood?'\t0:15\u003cbr\u003e2-43\tThe Answer With Falling Inflection: 'Gone Is Your Childhood.'\t0:20\u003cbr\u003e2-44\tThe Plea: 'Bring Back My Childhood!'\t0:14\u003cbr\u003e2-45\tThe Response: 'Seek In...Your Mem'ry. 'There It...Will Be.'\t0:25\u003cbr\u003e2-46\tRavel's Use Of Tone Colour To Change The Feeling Of The Music\t0:49\u003cbr\u003e2-47\tFurther Illsustratoion Of The Same Point\t0:27\u003cbr\u003e2-48\tContinued\t1:44\u003cbr\u003e2-49\tThe Nobility Of The Strings\t0:45\u003cbr\u003e2-50\tBells Evoked By French Horns; The Final, Opulent, Moving Climax Of The Whole Suite\t1:11\u003cbr\u003e2-51\tLe Jardin Féerique [Complete]\t4:11\u003c\/p\u003e","brand":"Naxos 2001","offers":[{"title":"2CD","offer_id":53501629726987,"sku":"23614781","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0018\/8540\/5254\/files\/23614781_1_original.jpg?v=1793630957","url":"https:\/\/shop.groovetemple.de\/products\/maurice-ravel-jeremy-siepmann-an-introduction-to-ravels","provider":"GrooveTemple","version":"1.0","type":"link"}